Slave

Tuesday, July 14, 2015

Slave

Slave:

Duties of a slave: absolutely docile; totally obedient ; fully pleasing Savages of Gor pg 184

Brands:
Kef Brand:    Explorers of Gor - pg 12

symbolism of brand:

"...The two frondlike curls indicate femininity and beauty; the staff, in its uncompromising severity, indicates that the femininity is subject to discipline; the upturned curves on the frondlike curls indicate total openness and vulnerability."

is usually an inch and a half to two inches high     Nomads of Gor - pg 62

Tuchuk Brand:     Nomads of Gor - pg 62

"Tuchuk standard, the sign of the four bosk horns. Set in such manner as to somewhat resemble the letter "H," is about an inch high."

Rarely Seen:       Explorers of Gor - pg 12

"...locked collar and, ascending diagonally above it, extending to the right, three quarter moons; this brand indicates the girl is subject to gorean discipline. (commonly used for those in service to Priest Kings on Earth and the steel world)

"...chain and claw brand signifies, of course, slavery and subjection within the compass of the Kur yoke." (commonly used for those in service to Kurri)

Misc. Information on Brands:

Male slave brand is the KEF but it is rendered in BLOCK letters Outlaw of Gor pg 187

Branding is used primarily because of its reputed psychological effect: Outlaw of Gor pg 189

convince the girl she is owned

make her "feel" owned

once the iron is pulled away - the girl knows the pain, degradation and smells the odor of her burning flesh, she is to tell herself: "I AM HIS"

Clothing:
Bina/Slave Beads: lesser beads, cheap beads, beads of little value, save for their aesthetic charm made into necklaces. Sometimes referred to as "kajira bana" Slave Girl of Gor pg. 82
Body Chain: about five feet in length, made to loop the throat several times, or by alternative windings to bedeck the body in various fashions, not heavy but not light, closely meshed and strong, often decorated sensuously with colorful wooden beads, semiprecious stones and bits of leather. Detachable. At one point of the chain are two sets of clips, one of snap clips, one of lock clips, it is by these clips that the chain can be transformed from slave jewelry into a sturdy and effective device of slave restraint. Rogue of Gor pg. 71 - 72
Camisk: simple, slave garment, about 18" wide: simple rectangle of cloth, containing in its center, a circular opening, worn like a poncho, belted with binding fiber or a light chain, flanks and brand are bared; favored in Tharna.  Guardsman of Gor pg 107
Camisk, Turian: a style of camisk worn by slaves in the city-state of Turia; it consists of a piece of cloth shaped like an inverted 'T' with a beveled crossbar; it fastens behind the neck & falls before the wearer's body; the crossbar then passes between her legs & is then brought forward snugly at the hips; it is held in place by a single cord that binds it at the back of the neck, behind the back, & in front at the waist.  Guardsman of Gor pg 107
Ceremonial Dress of the Red Savages: long shirtdress of soft-tanned hide with cape like sleeves, almost white. Knee length leggings and moccasins. Painted with designs and fringed. Hair braided in the fashion of the Red Savage, tied with golden string. Necklaces of shells and beads, adornments and trinkets, pierced coins of gold and silver hang from the neck. Silver bracelets upon each wrist. Blood Brothers of Gor pg. 33
Chalwar: high tight vest of silk (normally red), with 2 - 4 hooks, leaving midriff bare; the sashed chalwar is a sashed, diaphanous trousered garment, full but gathered in, closely at the ankles.  Tribesmen of Gor pg 105
Chatka: long narrow strip of black leather, fits over the curla in the front, passes under, and then again, from the inside, passes over the curla in the back, worn by the slave girls of the Wagon Peoples. Nomads of Gor pg 30
Curla: the red waist cord worn by slave-girls of the Wagon Peoples; supports the chatka.   Nomads of Gor pg 30
Dancing Silks: worn low on the hips, a belt of rolled cloth, yellow dancing silk, in Turian drape, thighs bare, the front right corner of the skirt is thrust behind to the left, the left lower corner of the skirt thrust into the rolled belt at the right hip. Golden bangles are worn on the ankles, more on the left ankle. A yellow halter is worn, hooked high to accentuate the line of beauty. Light chains and pendants looped about the neck, many bracelets worn on the wrist, on the upper arms are worn armlets, tight, being more on the left than the right. Hair is worn loose.  Tribesmen of Gor pg. 87
Djellaba (slave): brief, made of rep cloth, coming high upon thighs, used for sleeping in the Tahari. Tribesmen of Gor pg 72
Haik: covers from head to toe, is black, at the eyes is a bit of black lace; non-heeled slippers of black, with curled toes accompany the Haik.   Tribesmen of Gor pg 44
Hunters Catch: slave garb made of netting.   Guardsman of Gor pg 108
Kajir: Consists of 4 articles, two red, two black, the Curla, the Chatka, the Kalmak, and lastly the Koora.   Nomads of Gor pg 30
Kalmak: vest of black leather worn by the slave girls of the Wagon Peoples.  Nomads of Gor pg 30
Kes: short tunic of black leather worn by the male slaves of the Wagon Peoples.  Nomads of Gor pg 30
Kirtle: ankle - length, made of white wool, sleeveless, split to the belly, worn by the bond-maids of the North.   Marauders of Gor pg 81
Koora: strip of red fabric worn as a headband by the slave girls of the Wagon Peoples. Nomads of Gor pg 30
Sirik: light chain favored for female slaves, consists of a Turian type collar, to which a light gleaming chain is attached, which falls to the floor, about 10 - 12 inches longer than is required to reach from the collar to the ankles; to this chain, at the natural fall of the wrists, is attached a pair of slave bracelets; at the end of the chain is attached a set of linked ankle rings, which, when locked upon the ankles lift a portion of the chain from the floor. An incredibly beautiful thing, used to enhance the beauty of the slave. The bracelets and ankle rings can be removed, and used separately, which permits the sirik to function as a slave leash.  Nomads of Gor pg 42

Sirik, Work: resembles the common sirik but the wrists, to permit work, are granted about a yard of chain. Like the common sirik, it is a lovely chain, Women are beautiful in it.  Kajira of Gor pg 145

Slave Dress of the Red Hunter: Summer: fur wrapped about the feet, tied with hide string, brief fur tunics, hair tied back with red string. Beasts of Gor pg. 153; Winter: Brief fur panties, which bore the sign of the looped binding fiber, sewn in them with red-dyed sinew on the left, which identified them as slaves. Stockings of lart fur, which too, bore the sign of the looped binding fiber on the sides of each stocking. Boots that reached to the crotch, fur trimmed at the top. Hide shirt, also with the sign of the looped binding fiber applied on the left. Two parka's are worn simultaneously, both have fur trimmed hoods, and both carry the identifying mark of the looped binding fiber. Beasts of Gor pg. 184 - 186
Slave Dress of the Red Savage: hair is worn loose, only the Free Women of the Red Savages braid their hair. Blood Brothers of Gor pg. 69 Scandalously short shirt dress. Blood Brothers of Gor pg. 71
Slave Girdle: Tied in such a manner, as to emphasis, not to subtly, the figure. Dancer of Gor pg. 155 (reminiscent of the corset)
Slave Livery/Tunic: brief tunic, slit deeply at the hips, narrow shoulder straps, little more than strings. Dancer of Gor pg. 155
Slave Silk: generally diaphanous, can be worn in a variety of ways. On the shoulder, off the shoulder, with high necklines, or plunging necklines, in open or closed garments, tightly or flowingly of various lengths. Can be worn only in halters and G-strings. Sometimes strips are wound about the body. The tying of slave girdles, with such material, emphasizes the figure and makes clear her bondage, is also an art in itself. Can be worn in brief partable or wraparound tunics with a disrobing loop at the left shoulder, a tug on the loop, drops the tunic to the girl's ankles, gracefully. Dancer of Gor pg. 224 - 225
Slave Veil: a small triangle of diaphanous yellow silk, worn across the bridge of the nose where, beautifully, it’s porous, yellow sheen broke to the left and right. Considered a mockery, as it reveals as much as it conceals; adds a touch of subtlety and mystery. Tribesmen of Gor pg 69 - 70
Sleeping Garment: commonly short, front opening, fastened with a single tie. Blood Brothers of Gor pg.. 49
Ta-Teera: a one piece, sleeveless, short slave garment; also called the slave rag, most exciting of slave attire.  Guardsman of Gor pg 107
*Note:   There is no distinctive garment for a male slave on Gor, it is said, "it is not well, for them to discover how numerous they are."           Outlaw of Gor pg 66
Collar:
Ceremony:     Tribesmen of Gor pg 359
*assumes the posture of female submission*
slave repeats the following:

Master: "I, once ______ of the planet Earth,"
slave: "I, once ______ of the planet Earth,"
Master: "herewith submit myself, completely and totally in all things,"
slave: "herewith submit myself, completely and totally in all things,"
Master: "to he who is now known here as _________,"
slave: "to he who is now known here as _________,"
Master: "his girl, his slave, an article of his property, his to do with as he pleases,"
slave: "his girl, his slave, an article of his property, his to do with as he pleases,"

*collar is read and placed about slave’s neck*

Master: "I am yours, Master."
slave: "I am yours, Master."

Misc. Information about Collars:
Beaded Collar: Beaded leather collar of the Red Savages, was about an inch and a half high, had a distinctive pattern of beading. The color and design of the beading named the owner. Closed with a signature knot, in a given tribal custom, known only to the tier. Blood Brothers of Gor pg. 15
Choke Collar: impedes the breathing of the slave if she is the slightest bit recalcitrant. Blood Brothers of Gor pg. 127
Coffle Collar: have front and back rings, hinged on the right and locked on the left. The length of chain between collars were about 3 - 5 feet. Another form of Coffle Collar, has the has it's hinge in the front and closes behind the back of the neck, like a common slave collar. Has a single common ring, usually on the right, through which a singe chain is drawn. Savages of Gor pg. 135 - 136
Cord Collar: of the Rencers, the cord is made from the rence plant, a small disk is attached indicating the names of the master. Vagabonds of Gor pg. 341
Gorean Collar: a light steel like band, a badge of servitude. Flat, snug. Tarnsman of Gor pg. 26 & 46; Nomads of Gor pg. 29

1. purposes of the gorean collar: a) visibly designates slave, brand may not if covered; b) impresses slavery upon the slave; c) identifies the Master; d) makes it easier to leash the slave. Explorers of Gor pg. 80.
2. effects of the collar: a) releasing effect (ready in her collar), sexuality of the female; b) intensification effect; c) intensifies and deepens the sexuality of the female. Guardsman of Gor pg. 208 & 210
3. the small heavy lock on a gorean collar, may be of several varieties, but almost all are cylinder locks, either of pin or disk variety. In the female gorean collar, there are either six pins, or six disks one for each letter of the word "kajira." Interestingly enough, the male slave, kajirus, seldom has a locked collar, normally a band of iron is hammered about his neck, often he works in chains. Assassin of Gor pg.. 51
*Note:* Collars are sometimes removed from girls on the sole decision and will of free persons, ie: sold or given away. Too, they may be removed at other times for other purposes. A given individual may for one reason or another, not want others to know that a given woman is his slave. Accordingly, she may wear her collar only in his lodge. (**Hidden Collar** this is indigenous to the Kailla tribe of the Red Savages**) Blood Brothers of Gor pg. 45

Knotted Collar: the collar of the Red Hunter, four leather strings tied with an intricate knot, the knotting of the strings identifies the owner of the slave. Beasts of Gor pg. 153
Leash Leather Collar: a leather collar with an attached leash, used for leading and/or security from theft. Magicians of Gor pg. 33
Plank Collar: this is formed from two boards into which matching semicircles have been cut. The two boards are connected and supported by five flat, sliding U-Irons: when the U-Irons are slid back. the collar is opened. When they are slid into place, two leaves are bolted together, the collar is closed. Two hasps with staples, secured with padlocks, occur, too, at opposite ends of the planks. Used mostly for multiple slaves and/or captives (male or female) Rogue of Gor pg. 69

This type of collar is also used for securing slaves in the hold of slave barges. Savages of Gor pg. 60

Retaining Collar: Usually placed in addition to another collar, close fitting, heavy and thick, with a thick linked chain attached, about 4’ long, it fastens to a stout ring. Magicians of Gor pg. 309
Shipping Collar: collar denoting the slave as cargo, usually aboard ship. Explorers of Gor pg. 79 - 80
Torvoldand Collar: a collar of black iron, riveted upon the slave, with a welded ring. Marauders of Gor pg. 85
Temporary Slave Collar: flat and close fitting, identifies the slave as a slave provisionally in the custody of Magistrates. Magicians of Gor pg. 309
Transportation Collar: simple collar, with metal tags upon them. Dancer of Gor pg. 73
Turian Collar :   Nomads of Gor pg 29

round ring

lies loosely about the girls neck

when grasped by a man, slave can turn within it

more difficult to engrave than the common Gorean Collar

lock in back

Turian Message Collar:     Nomads of Gor pg 38 & 40

thick leather collar sewn about the neck

inside the leather a message is sewn in

Dances:
There is no standardization or little standardization for the better for the worse in Gorean slave dance. Not only can the dances differ from city to city, and town to town, and even from tavern to tavern, but they are likely to differ, too even from girl to girl. This is because each girl, in her own way, brings the nature of her own body, her own dispositions, her own sensuality and needs, her own personality. to the dance. For the woman, slaves dance is a uniquely personal and creative art form. Too, of course if provides her with a wondrous modality for deeply intimate self-expression. Guardsman of Gor pg 260

Beauty Dance of Port Kar - Tribesman of Gor pg 8

Belt Dance - Assassin of Gor pg 185

Chain Dance - Nomads of Gor pg 153

Collar Dance - Kajira of Gor pg 143

Dance of an Earth Girl - Guardsman of Gor pg 247

Dance of 6 thongs - Raiders of Gor pg 228 - 230

Dance of the Netted Slave - Vagabonds of Gor pg 400 - 401

Love Dance/Newly Collared Slave Girl - Raiders of Gor pg 115 - 117

Love Dance of the Wagon People - Nomads of Gor pg 98

Need Dance - Rogue of Gor pg 185 - 186

Panther Girl Dance - Hunters of Gor pg 197 - 199

Pole Dance - Blood Brothers of Gor pg 39

Sa-Eela - Guardsman of Gor pg 259-266

- the lure dance of the "Love-Starved Slave Girl" (dance described 261-266)

Schendi Dance of Figures - Explorers of Gor pg 133

Seduction Dance - Tribesmen of Gor pg 104

Tether Dance - Explorers of Gor pg 360

Tile Dance - Explorers of Gor pg 13-14

Virgin Dance - Dancer of Gor pg 190

Whip Dance - Rogue of Gor pg 191

Equipment; Punishment, and Training:
Ankle Rack: semi circular openings with a block, the top block swinging shut over the bottom block, hinged on the left, the block then secured with a metal bolt on a chain, thrust through the staple on the lower block, over the hasp, swung down from the upper block. Very effective to stop a running slave. Explorers of Gor pg. 68
Binding Strap: a narrow eighteen inch strap, normally black, used for the binding of hands behind the back. Guardsman of Gor pg. 237
Blindfold: consists of three pieces, usually two rounded pieces of soft felt, three to four inches in diameter, and the binding which usually consists of two or more turns of a dark, thick, folded cloth, or scarf, knotted behind the head. The blindfold is seldom used in the transportation of slaves, the hood is more commonly used for this purpose. Rogue of Gor pg.. 201
Bracelets, Hook: soft leather cuffs with locks and snaps; the snaps unlike the cuffs, require no key, by means of the snaps the girl may be secured by the locked cuffs, her hands fastened either behind her back, in front of her, or to her collar. Slave Girl of Gor pg. 297
Branding Rack: made of metal, the girl is placed upright, then the rack locked on her. Wrists are placed behind her, in the adjustable wrists clamps, each on their vertical flat metal bar, which are screwed shut. Feet are shackled on a rotating metal platform. The branding rack rotates bringing the site be branded into view unencumbered. Explorers of Gor pg. 71
Breeding Cell/Stall: both female and the selected male are hooded, they are not permitted to speak. The purpose is impregnation, this coupling is public with the masters and others of official or non official capacity present, to make any pertinent payments or determinations. Dancer of Gor pg. 175
Cages, Plastic: Used to show slaves for sale at the house of Slavers and/or Slave Auction Houses, fastened to the roof of the portico, others in tiers of cages lining the interior walls of the portico. Assassin of Gor pg. 286
Collar Sleeve: (collar stocking)  They may be made of many different materials. In a cooler climate they are sometimes of velvet. In most cities they are not used.  Kajira of Gor pg 46
Fetters (slave bracelets of Torvaldsland): consist of curved, hinged bands of black iron, three quarters of an inch in width and a quarter inch in thickness. On one of each of the two curved pieces consituting a bracelet there is a welded ring; the two welded rings are joined by a single link, about an inch in width, counting both sides, each of which is about a quarter of an inch in diameter, and three inches long. Marauders of Gor pg 46
Four Chains: wrists are joined by about eighteen inches of chain and similarly for the ankles. Further each wrist is chained to the ankle. This arrangement, produces the "four chains." Captive of Gor Page 42
Gag: a device secured in place with by a broad mouth covering strap, with three smaller straps attached to it, one to secure the broad strap at the upper lip, another to secure it across the mouth, pulling it back between the teeth, and one to secure it at the chin. These straps are then pulled back tightly and fastened; the top strap above the ears, behind the back of the head, to the lower straps behind the back of the head. The heavy rolled leather wadding that is thrust back behind the teeth with the broad mouth covering strap, by design, expands thus securing it in place, packing the entire oral orifice. Dancer of Gor pg. 271
Garbage Death: Indigenous to the city of Port Kar, where a slave who has been displeasing is bound naked and thrown into the canals of the city for urt feed. Tribesmen of Gor pg. 313
Hood: parts of the hood; the leather ball, the strap attached at the front of it, and the belt, with its double loop, on the outside, held in place by the belt loops, at its opening. Some hoods are little more than sacks, of canvas or leather, with drawstrings. A small padlock, passes through two rings, the buckle ring and one of the small rings, sewn in the belt. Mercenaries of Gor pg 75
Iron Belt: This belt consisted of two major pieces; one was a rounded, fitted, curved bar like waistband, flattened at the ends; one end of this band, that on the right, standing behind the woman and looking forward, had a heavy semicircular ring, or staple, welded onto it; the other flattened end of the waistband, looking forward, had a slot in it which fitted over the staple; the other major portion of this belt consisted of a curved band of flat, shaped iron' one end of this flat band was curved about, and closed about, the bar like waistband in the front; this produces a hinge; the flat, U-shaped strap of the iron swings on this hinge; on the other end of this flat band of the iron is a slot; it fits over the same staple as the slot in the flattened end of the left side of the bar like waistband. The belt is then put in the woman in this fashion. The waistband is closed about her, the left side, its slot penetrated by the staple, over the right side; the flat U-shaped band of iron, contoured to female intimacies, is then swung up on its hinge between her thighs, where the slot on its end is penetrated by the staple, this keeping the part of the belt in place. The whole apparatus is then locked on her, the tongue of a padlock thrust through the staple, the lock then snapped shut.   Kajira of Gor pg 103
Kurt: A stout whip, with a long handle, which might be wielded with two hands, and five dangling, soft, wide lashing surfaces, each about a yard long.   Kajira of Gor pg 83
Leash: Some fifteen feet in length. When used in leading, this amount of length would not be used, but would be coiled in the grasp of the master. The length is useful if the slave is expected to perform leash dances, is to be bound with the leash, or if, it doubled at the master’s end, it is to be used to train or discipline her.    Kajira of Gor pg 336
Lock Gag: Leather and metal; curved metal bars rounded about a quarter of an inch in diameter, fitted to individual girl by ratchet and pawl arraignment, locks behind neck, cannot be removed, leaving slaves hands free for duties.  Beasts of Gor pg 347 - 348
Northern Yoke:   Beasts of Gor pg 196 - 197

made of wood or bone, drilled in 3 places

1 hole at neck

1 hole at each end

strap knotted about wrist, passed through one end of hole (usually the left first), through the hole at the neck, wrapped twice about the neck, back through the hole at the neck, brought through the end hole on the right and tied about the wrist

Penalty Brands: There are three separate irons, each a tiny letter not more than an a quarter of an inch high, they mark a liar, thief, and traitress. Captive of Gor pg. 310
Pleasure Rack: made from wood, with wheels, levers, gears, pinions, joints, braces, fitted sliding boards, notches and lock points, thus giving it the ability to be adjusted into a variety of positions. The pleasure rack has an aesthetic value. It serves two major purposes: 1) the exhibiting and displaying of it's helpless prisoner; 2) to hold the female in any position one pleases. Rogue of Gor pg. 27 - 28
Post Strap/Harness: Slave is pulled to the post, close to it and facing it. The heavy belt, with the ring on it, through which the loose post strap passed, that strap looping the post and threaded through the belt ring, was put about the belly, and buckled shut, tightly, behind the small of the back. Able to move easily about the post but, given the post strap, and the belt ring, can not be further than six inches from it. Kajira of Gor pg 290
Quirt:   Leather, long, some two feet in length.   Fighting Slave of Gor pg 68
Sexual Disciplines: 1) dominate the slave making her feel her womanhood, and it's relationship to the male, and then, her belly ready, aching, vulnerably aflame, helplessly stirred, you send her packing; 2) whip the girl, then fling her to the ground, thrust her about, let her feel the side of a foot, such things, and then when wished, kneel her, her head to the ground, and used her. Magicians of Gor pg. 329
Shackles: Ten inches of chain separated the ankles; the chain was fastened on them by means of two padlocks.   Kajira of Gor pg 244
Slave Box: About four feet long and three feet wide, with a depth of perhaps eighteen inches. It was of steel and opened from the top. In the lid, at each, there was a circle, about five inches in diameter, of penny-sized holes. It was locked shut, secured by two flat, steel bars, perpendicular to its long axis, padlocked, in front, in place.   Kajira of Gor pg 148
Slave Goad: Rather like the tarn goad, except that it is designed to be used as an instrument for the control of human beings rather than tarns….Unlike the tarn goad which has a simple on-off switch in the handle, the slave goad works with both a switch and a dial, and the intensity of the charge administered can be varied from an infliction which is only distinctly unpleasant to one which is instantly lethal. The slave goad, unknown in most Gorean cities, is almost never used except by professional slavers, probably because of the great expense involved.   Assassins of Gor Pg 85
Slave Hobble: Consists of two rings, one for a wrist, the other for ankle, joined by about seven inches of chain. In a right handed girl, it locks on the right wrist and left ankle. When a girl kneels, in any of the traditional positions of the Gorean woman, either slave or free, it is not uncomfortable. Nomads of Gor pg 154 - 155
Slave Pens:    Cages are not pleasant, measures 4 paces by 4 paces, can house up to 20 girls within.  Marauders of Gor pg 12
Slave Sack: Made of leather, normally pulled up, over the head, and laced shut. Confinement in the slave sack is, incidentally, a familiar form of light punishment for a girl.  Kajira of Gor pg 273
Sleen Death: a girl is stripped, each ankle bound widely apart to stakes, her wrists also bound widely apart to stakes, her thigh is cut and blood is smeared on her belly to draw the animal. This is done when there is no longer a use for a girl. Captive of Gor pg. 230 - 231
Stimulation Cage: an ornately barred, low ceiling cage, about five feet high, rather roomy. The girl in the stimulation cage is not permitted to look into the eyes of a male, not even a male slave. This is designed to make her extremely conscience of males. Accouterments include: brushes, perfumes, cosmetics, slave jewelry, heavy necklaces, armlets, bracelets, and bangles. There is no clothing. There are cushions, bowls of copper, and lamps of brass. There are surfaces of varying textures: deep piled rug, satins, silk, coarsely woven cloths, brocades, rep cloth, a tiled corner, sleen pelt, cloths woven of strung beads, cloaks of leather and mats of reed. The point is to bring the senses to life. Tribesmen of Gor pg. 24
Switch: Often used on a girl when she is guilty of minor indiscretions or tiny misdemeanors. It is thought a fitting instrument for encouraging a beauty to be more careful or zealous in her service. Kajira of Gor pg 85
Turian Slave Bar: Metal bar, with a collar at each end and, behind the collar, manacles which fasten the prisoner’s hands behind his neck.   Nomads of Gor pg 193
Whip, Snake: heavy coil, laced with wire and flecks of iron. Used primarily on male slaves/captives. Beasts of Gor pg 161
Yoke, Girl: consists of a stout branch, about two inches thick, some five feet in length, holes drilled in the center and near the extremities. Fits behind the girl's neck, a long simple thong of rawhide fastens the girl in place. Smaller yokes can be fashioned to secure a slave for other purposes, such as enjoyment in the furs. An effective way of securing a slave. Savages of Gor pg. 281 - 282
Yoke, Stock: normally a pair of hinged planks, with matched semi circular openings in the planks. The head and wrists are aligned with the openings, the planks then closed are either tied or locked shut. This stock yoke is sometimes placed on a girl while she is on her back. If the planks are sufficiently wide enough, the girl is unable to see the actions of the Master, she can only feel it. Savages of Gor pg. 282 - 283
Texts sometimes utilized in a slave's training; (particularly by professional slavers) Magicians of Gor pg 193 - 194

"Manuals of the Pens of Mira"

"Leonora's Compendium"

"Songs of Dina"

Free Women claim that the book, because of it's intelligence and sensitivity, is actually, and must be, written by a Free Woman.

Dina, slave name, often given to those with the "dina" brand (small roselike brand)

Hargon's "The Nature and Arts of the Female Slave"

Misc. Information:
Slavery defined -      Rogue of Gor pg 169 - 170

slavery and sexuality impressed in a thousand subtle ways

modes of speech

gestures and postures

address Free Persons differentially

kneels in the presence of Free Persons

clothing is inexperience and brief

sometimes a rag, designed to remind her of lowliness

leaves little doubt to charms

throat encircled by collar

identifies Master

sometimes has slave’s name on it

part of body branded

animal, sensuous, beautiful

condition unquestioned and categorical

supported by history

supported by custom and law

no escape

Differences of Slavery from North to South:

southern girls not worked in the same manner as the northern girls

difference between farm and city

worked hard but duties are less than an Earth wife

Gor's simplier culture

less to clean

less to care for

less to do

the Southern Gorean Master will:

take care that the wench is fresh and ready for the couch

if found pleasing

works and handles the wench in a certain way

her responses are kept honed to perfection

harder with their girls

expects more and see's that He gets it

southern girls are worked less hard than northern girls

put to whip more

lives under a harsher discipline

trained in the detailed, intricate, sensuous arts of the female slave

must learn them to perfection

must perform, joyfully and skillfully upon command

silk girl

term used by the bond-maids of the north to refer to their counterparts of the south

they believed the girls to be spoiled, excessively pampered, indulged, and coddled

consider them to be sleek pets with nothing to do but adorn themselves with cosmetics

wait for their Masters cuddled cutely, on plush, scarlet coverlets

High-Farm Girl

term used by the slave girls of the south to refer to their counterparts of the north

regards the northern girl as bumpkins

dolts from the high farms on the mountains of Torvaldsland

think they do little but swill tarsk, and dung fields

regards them as nothing more than a form of bosk cow

used to work

to give simple pleasure to rude men

to breed thralls

Whip - the symbol of masculinity, of the authority of men. Guardsman of Gor pg 179

"The discipline of a slave, may be attended to by any free person, otherwise she may do as much what she wished, provided only her master did not learn of it." Magicians of Gor pg 122

clear legal principle

upheld in several courts of several cities

including AR

"Gagged by her masters will":   Vagabonds of Gor pg 321

slave is prohibited from speaking until given permission to do so

"Modesty is not permitted to slave girls":   Vagabonds of Gor pg 324

** reserved for particular occasions

a girl who exhibits distress at being stripped for her sale

tempted to balk at performing floor movements naked for business acquaintances of her master

** this is the legal understanding of the saying

Palms placed up signifies need, helplessness, a desire to please.  Vagabonds of Gor pg 209

may be used for begging, and placatory behavior

Slaves are not permitted to eat or drink before the master.   Guardsman of Gor pg 296
Ways to which a female slave can beg for sexual use:     Vagabonds of Gor pg 286 - 287

bondage knot

offering the Master wine

holding up to him fruit next to her body

kneeling, licking, kissing

begging explicitly

after slave fires have ignited in a girl's body denial of sexual usage amounts to a torture

"She, holding the bowl with two hands, pressed it back against her belly, low, below the navel. I looked at the edge of the bowl, containing the wine, pressed back, into her flesh. Then she lifted the bowl before her and, gently, turning her head, placing her lips softly upon it, kissed it. She then, with two hands, head down, proffered to me the chipped, shallow bowl."   Fighting Slave of Gor pg 98-99
"Wine - Master?" presentation:  Vagabonds of Gor pg 352

the slave offers not only wine to the master, but herself, and her beauty, for his consideration

Female work slaves, field slaves, stable slaves, like kettle and mat girls are usually considered the lowest of slaves.  Magicians of Gor pg 305
Initiatory Whipping; Guardsman of Gor pg 201 - 205

slave learns she is of a house in which she is under discipline (pg 201)

10 strokes (pg 204)

gratis/mnemonic blow

reminds the girl she is a slave (pg 205)

Intelligence in slaves: Beasts of Gor pg 151

major criteria used by Gorean Slavers when scouting earth

can feel slavery more keenly

more swiftly realize the biological rightness

fight it longer

more willing to trust her own intelligence, intuition and feelings

Slave Trust:    *If the Master cannot trust the slave*  "she would be allowed no garments, that she might not be able to conceal a weapon; the bells (located upon ankles and wrists) would mark each of her movements."   Nomads of Gor pg 29
Passion Slave - "female of the human kind, but bred like a beast for it's beauty and it's passion. It is an animal, bred for the pleasure of men, bred for the pleasure of a master." Priest-Kings of Gor pg 73
Bondage is a condition in which imagination and inventiveness in a slave are highly appropriate.  Vagabonds of Gor pg 35
Kneeling Distance:                                                                      
It is customary in the kneeling position to remain back a few feet from the male. The kneeling position, itself, expresses the servitude of the slave, and her submission. The distance serves three major purposes. (1) It symbolizes in the distance, as well as in the differential in height, the social inferiority of the slave to the master. (2) It puts the slave in a position where all of her, for the master's delight, can be seen. A kneeling woman is incredibly beautiful. (3) It also puts enough space between the slave and the free male so that the releasing of his rapacity is then likely to require a decision, and is less likely to be simply, reflexively, triggered. This regarded as being particularly important when the slave is in the presence of a male who is not her master. The kneeling position, thus, interestingly, can occasionally provide a measure of security, if somewhat a tenuous one, for the slave, tending to reduce to some extend the frequency with which, in a culture with such interpersonal proximity’s, she might otherwise be subjected to unauthorized rape. This same tiny measure of protection, of course, puts her in much greater danger from her real master, for he, observing her, seeing her kneeling beautifully before him, can also delay in his considerations as to her suitable exploitation’s.....The main reason a slave kneels, of course, aside from such subtle and complex considerations, is simply that she is a slave, and that the position, accordingly, is appropriate for her.  Dancer of Gor pg 156 - 157
"The Gorean slave girl, incidentally, will space herself from her master quite differently in different situations. For example, if she is somewhat farther away, it is easier for her to display herself in all her beauty; if she wishes to wheedle for his caress she may approach quite closely; if she is receiving instructions she may kneel a few feet away; if she is begging to serve his pleasure she may kneel at his feet, perhaps kissing them. She who fears she is to be disciplined will commonly hang back; sometimes too, a girl will fear to approach too closely until the master, by an expression or small sign, indicates that she is not in obvious disfavor and may do so."    Explorers of Gor pg 201
Positions:       If more than one reference is found …the reference to the quote follows the quote.
Bara/Belly    Explorers of Gor pg 77      Mercenaries of Gor pg 19
"Bara," said Mincon to Tula. "Bara," said I to Feiqa. Both slaves went immediately to their bellies, their heads to the left, their wrists crossed behind their backs, their ankles also crossed. It is a common binding position. Mercenaries of Gor pg 145
Blanket     Explorers of Gor pg 94
"I then threw the second blanket, the top blanket over her, covering her completely. When a blanket, or cloak, or covering of any sort, is thrown over a slave like this she may not speak or rise. She must remain as she is, silent, until the master , or some free man, lifts the covering away."
Bracelets/Chaining   Hunters of Gor pg 146
"Bracelets,' he snapped. She put her head in the air and placed her hands behind her back."
Capture Position    Kajira of Gor pg 422
"On your back," he said, "knees raised, heels on the floor." I then lay before him, in a standard, supine capture position."
Collaring/Female Submission    Hunters of Gor pg 16      Explorers of Gor pg 74
"Assume the posture of female submission," I told her. She did so, kneeling back on her heels, her arms extended, wrists crossed, her head between them, down. She was weeping." Tribesmen of Gor pg 359
Hair   Beasts of Gor pg 409
"I held my left hand open, at my waist. She stiffened, and looked at me, angrily. I opened and closed my left hand once. I saw her training in Gorean customs had been thorough. But she never thought that such a gesture would be used to her. She came beside me, and a bit behind me, and, crouching, put her head down, deeply. I fastened my hand in her hair. She winced. Women are helpless in this position."
Hand Signals
"I held my left hand open, at my waist. She stiffened, and looked at me, angrily. I opened and closed my left hand once. I saw her training in Gorean customs had been thorough. But she never thought that such a gesture would be used to her. She came beside me, and a bit behind me,and, crouching, put her head down, deeply. I fastened my hand in her hair. She winced. Women are helpless in this position." Beasts of Gor pg 409
"He suddenly snapped his fingers and, in the swift double gesture of the Gorean Master, pointed to a place on the dirt floor before him, almost simultaneously turning his hand, spreading the first and index fingers, pointing downwards. I fled to him and knelt before him, my knees in the dirt, in the position of the pleasure slave, my head down, trembling." Captive of Gor pg 143
Heel Position       Marauders of Gor pg 123      Slave Girl of Gor pg 109     Magicians of Gor pg 117
"These things vary, I learned from city to city, and depend, also, on such matters as context and conditions. In a market, in the crowding and jostling for instance, a girl may follow so closely she pressed against the back of his left shoulder. Girls seldom follow behind and on the right. If she is thusly placed it is commonly a sign she is in disfavor. If more than one girl is involved, she who follows most closely on the left is generally taken to be in highest favor; girls compete for this position. In an open area, such a the fields in which we trekked, the girl is placed some five or ten feet behind, and on the left. If he must move suddenly she will not, thusly, constitute an impediment to his action."  Slave Girl of Gor pg 30
High-Harness Position       Mercenaries of Gor pg 308 - 309
"Lift your head, " he said. "Higher. Higher!" She looked up at him, her head far back, the leash on her throat.... "You need not now keep your head in high-harness position,", he said to the girl. She moved her head."
Kneel to the Coffle     Slave Girl of Gor pg 127
"Kneel to be coffled," said one of the men. The girls knelt, closely, one behind the other, there were six wrist rings on the chain he carried. He placed the girl who had been whipped by Lady Sabina first in the coffle line. "Left wrist coffle," he said. They lifted their left wrists, frightened. Interestingly, the man snapping the wrist rings on the girls’ left wrists did not put the first girl in the first ring, but the second. When the four maids were coffled there was, thus, an empty wrist ring both at the head and rear of the line. "Stand, Slaves," said the man. "Lower chain." The girls stood. Then, ordered, the lowered their wrists. They were then in line, standing, coffled."
Kneel to the Whip    Captive of Gor pg 200
"Piteously she knelt, a slave girl. Her wrists were crossed under her, as though bound, her head was to the floor, the bow of her back was exposed."    Marauders of Gor pg 13
Leading      Mercenaries of Gor pg 437
"In a moment I had left the building, pulling the captive behind me, her head down at my waist, in leading position." Mercenaries of Gor pg 399 - 400
Lesha/Binding     Slave Girl of Gor pg 125
"Lesha," snapped the second officer to the blond girl. She spun from facing him, and lifted her chin, turning her head to the left, placing her wrists behind her, as though for snapping them into slave bracelets."   Explorers of Gor p 76
Love Bow    Marauders of Gor pg 261
"He then threw her, on her back, over the body, head down, of the fallen Kur. He took the two loose ends of the binding fiber and, taking them under he body of the fallen Kur, dragged her wrists, elbows bent, over and above her head; he then, bending her knees, tied one of the loose ends about her left ankle, and the other about her right."
Nadu    Explorers of Gor pg 77      Tribesmen of Gor pg 53     Explorers of Gor pg 166                              Kajira of Gor pg 282          Slave Girl of Gor pg 34
"Come now, my pretty slaves,' said Ginger, 'kneel straight. Back straight, heads up. Back on your heels there! Spread those pretty knees. Yes, that is the way men like it. Put your hands, palms down, on your thighs. Good. good. Excellent!' The girls now knelt in the coffle as pleasure slaves." Savages of Gor pg 155
Nestle Position   Explorer's of Gor pg 279
"Nestle," I told her. "Yes, Master," she said. She nestled obediently in the crook of my left arm."
Obeisance     Rogue of Gor pg 299
"There are many ways to perform obeisance." I said. "I am a free woman," she said, " I know none of them." "I shall instruct you briefly in three," I said. " First kneel before me , back on your heels, yes, with your knees wide, wider, your hands on your thighs, your back straight, your breasts out, good, your belly in, good, and now lower your head in deference, in submission." "Now that," I said, " may not be exactly a form of obeisance, for authorities do not all agree, but for our purposes we shall count it as one. It is, at any rate, a beautiful position, and it is, certainly, a common position of slave submission."
"Now" I said, " and this is clearly a form of obeisance, bend forward and put your head to the mat, the palms of your hands on the mat. Good. Now lift your head little and come forward, substantially keeping the position. Forward a little more." "But then my face will be at your feet," she said," My lips will be over them!" "Yes," I said, "Good, now, put your head down and lick and kiss my feet." "I am a free Woman!" She Said. "You are a woman," I said," now softly lingeringly, and lovingly, Good." "I am not a slave," she said "All women are slaves, "I said " Imagine what this would be like if you were truly a collared slave." She gasped.
"Now" I said, "for a third form of obeisance. You may belly to me." "I do not understand," she whispered. "There are various forms of bellying, " I said, and bellying may be suitably and pleasingly combined with other forms of floor movements, approaching the Master on all fours, turning to your sides and back, writhing before him, and so on. We will take a very simple variation, suitable for an ignorant free female who has not yet even begun to discover the depths of her sexuality." She looked up at me. "On your belly," I said. She backed off a bit , and went to her belly. her hair was before her face, as she now on her belly before me looked up at me. "Now inch forward," I said, " remaining low on your belly, and when you reach my feet, once again, as before, lifting your head a little, tenderly and humbly, and beautifully, as though you were a slave, lick and kiss them. Good. Good. Now take my foot and place it gently on your head. Very good. Now place it again on the Mat, and kiss it again. Good. You may now belly back a little, humbly. I have not yet given you permission to rise of course." Mercenaries of Gor pg 409 - 410
Prostrate    Kajira of Gor pg 305
"I knelt before the guest, putting the palms of my hands on the floor and my head to the tiles."
Run    Assassins of Gor pg 45
"….I was amused, for she had run as a slave girl is sometimes taught to run, with rapid short steps, her legs almost straight, head turned to the left, arms at her sides, palms out at a forty-five degree angle, more of a dancer’s motion than a true run."
She Sleen/She-Quadruped    Guardsman of Gor pg 225
"In this discipline the female is forbidden human speech. She is also forbidden human posture, in the sense that she is not allowed to rise to her feet. Her locomotion, unless commanded to roll, or put under similar commands, suitable for a pet, will be on all fours. Her food will be thrown to her, or put in pans on the ground. In either case, she must feed without the use of her hands. She may also, of course, be fed by hand, but, again, will not be permitted to touch the food with her hands. She may be taught tricks. Sometimes these are taught as functions of arbitrary sounds, so that she must learn them as any animal might, without the benefit of an earlier understanding of the word used. If she is slow to learn, of course, she is punished, as would be any other animal. When used, too, it will commonly be in the modality of the she-quadrupled. This discipline is often used as a punishment, but it may figure in the training of a new girl. It helps her to understand what she now is, an animal totally subject to her master."   Mercenaries of Gor pg 215 - 216
Slave Lips      Kajira of Gor pg 224
"Similarly, I was not required to respond to certain sorts of commands, for example, to make "slave lips," pursing my lips for kissing, or to writhe slowly before my viewers."
Slave Rape     Explorers of Gor pg 202
"I went to the side of the room and picked up my sea bag. I threw it to the center of the room. She looked down at it puzzled. It was of heavy blue material, canvas, and tied with a white rope. "Lie down upon it," I told her, "on your back, your head to the floor." She did so. "No, please," she said, "not like this." It is a common position for a disciplinary slave rape. In it the woman feels very vulnerable, very helpless. I then took her."
Slavers Caress/Whip Caress      Assassin of Gor pg 294
"Then, before I could realize what he intended, he had subjected Miss Cardwell to what, among slavers, is known as the Whip Caress. Ideally it is done, as Kamchak had, unexpectedly, taking the girl unawares. Elizabeth suddenly cried out throwing her head to one side. I observed to my amazement the sudden, involuntary, uncontrollable response to the touch. The Whip Caress is commonly used among Slavers to force a girl to betray herself."   Nomads of Gor pg 168
Sula        Explorers of Gor pg 77
"Sula, Kajira!' said the man. She slid her legs from under her and lay on her back, her hands at her sides, palms up, legs open."
Tower Slave Position    Priest-Kings of Gor pg 46
"The position of the Tower Slave, in which Vika knelt, differs from that of a free woman only in the position of the wrists which are held before her and, when not occupied, crossed as though for binding...The position of the Pleasure Slave, incidentally, differs from the position of both the free woman and the Tower Slave. The hands of a Pleasure Slave normally rest on her thighs but, in some cities, for example, Thentis, I believe, they are crossed behind her. More significantly, for the free woman's hands may also rest on her thighs, there is a difference in the placement of the knees. In all these kneeling positions, incidentally, even that of the Pleasure Slave, the Gorean woman carries herself well; her back is straight and her chin is high. She tends to be vital and beautiful to look upon."
Turian Knee Walk (mentioned but no description)    Vagabonds of Gor pg 35
Usage Position    Kajira of Gor pg 434
"He knelt me there. "Put your head down, to the floor," he said. "Clasp your hands, firmly, behind the back of your neck." "Yes, Master," I moaned. He was then behind me. He put his hands, under my arms, on my breasts, sweetly and firmly. Then he moved his bands back, caressing my flanks. My head was down. My fingers were together, behind the back of my neck. I was in his collar. It was steel, I could not remove it. I belonged to him. My body hurt, from his whip, that of my master. My head hurt, from my hair, where I had been conducted, unceremoniously, to this location. "Please, Master," I sobbed. "Not like this! Not you, please!" "The slave is pretty," he remarked. "Oh!" I cried. "Oh!" "You have a lovely ass," he said. "Ohhh!" I said. "You may thank me," he said."
Types of Slavery:

Slavery of the "she-quadrupled":   Guardsman of Gor pg 225

cannot rise from all fours

not permitted human speech

permitted to cringe, moan, and whimper

no use of hands

eat and drink from pans on floor

taught tricks (for amusement and entertainment)

begging

lying down

rolling over

fetching sandals with teeth

sex in common she-quadrupled position

Slavery of a "Love Slave":   Beasts of Gor pg 236

unusually deep

serve with perfection

solidly in a man’s power

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