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"I suppose it makes sense that they
might enjoy putting them on us, like brands and collars. Some men even dress
their girls, and, always, the girl's choices of such things as garb,
cosmetics, perfume, jewelry, and such, and, indeed, her entire ensemble, are
subject to the Master's approval. Indeed, most often, whether in only a
simple tunic, before she hurries forth to a shop, or in luscious slave silk
and exciting adornments, before she is to welcome and serve her Master's
guests, displaying herself as one of his treasures, she is expected to
present herself before him, for his inspection. She is
owned". Dancer of Gor, Pg 226
"Slave girls on Gor, on the other hand, when permitted clothing, are
usually dressed briefly and lightly, that their charms be muchly revealed.
Gorean men wish it this way. That, accordingly, is the way it
is." Slave Girl of Gor, Pg 237
"In short, Gorean Masters concern themselves closely with their girls.
Clothing, like other matters, is quite important. It must be perfect for its
purpose. It's purpose may be to humiliate or brazenly and publicly display
the girl, to discipline her, to keep her humble, to remind her she is
nothing, only a wench in bondage; it may be to reveal her beauty, of which he
is proud, for the eyes of all, or for his own pleasure and that of his peers;
it may be to reveal his wealth, the value in girl and raiment which he owns;
it may be to augment his prestige, or to incite envy in others; it may be to
stimulate her with beautiful things; it may be to excite her sexually, and so
on. These purposes, of course, are not all incompatible. Clothing, too, it
might be mentioned, like food, is a useful instrument in controlling the
girl. Few girls, for example, enjoy being sent nude to the market to go
shopping." Slave Girl of Gor, Pg 76-77
"The attire of Gorean slave girls is of great importance to their
Masters. They concern themselves with its tiniest details. The clothing, you
see, as well as the girl, belongs to the Master; it is natural for him, thus,
to take an interest in it; both, in their diverse ways, can be a reflection
upon him, his taste, his judgement, his discrimination. What a girl wears, if
she is to wear anything, is of great interest to him. After all, she is not a
wife; she is much more important; she is a prized
possession." Slave Girl of Gor, Pg 76
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Camisk
A poncho like garment, belted at the waist,
it normally hangs high on the thighs.
The camisk is a rectangle of cloth, with a
hole cut for the head, rather like a poncho. The edges are commonly folded
and stitched to prevent raveling. The camisk, I am told, normally falls to
the knees...The camisk, I am told, was at one time commonly belted with a
chain. However, the camisks that I have personally seen, and those we were
given, were belted with a long, thin strap of leather binding fiber. This
passes once around the body, and then again, and then is tied, snugly, over
the right hip....The belt of binding fiber not only makes it easier to adjust
the camisk to a given girl, but of course, the binding fiber serves to remind
her that she is in bondage. In a moment it may be removed, and she may be
secured with it, leashed, or bound hand and foot....The camisk, in its way,
is an incredibly attractive garment.It displays the girl, but provocatively.
Moreover, it proclaims her slave, and begs to be torn away by the hand of the
master. Men thrill to see a girl in a camisk.
Captive of Gor, page 64
Turian Camisk
"The Turian camisk, on the other hand,
if it were to be laid out on the floor, would appear somewhat like an
inverted "T" in which the bar of the "T" would be beveled
on each side. It is fastened with a single cord. The cord binds the girl at
three points, behind the neck, behind the back, and in front at the waist.
The garment itself, as might be supposed, fastens behind the girls neck,
passes before her, fastens between her legs, and is then lifted and, folding
the two sides of the "T's" bar about her hips, ties in front. The
Turian camisk, unlike the common camisk, will cover the girl's brand; on the
other hand, unlike the common camisk, it leaves the back uncovered and can be
tied, and is, snugly, the better to disclose the girl's beauty."
Nomads of Gor, page 90
Chalwar
A
diaphonous trouser garment, gathered in at the ankles, but billowy otherwise.
It is normally worn with a matching vest, tight, four hooked, that keeps the
midriff bare. It is a Tahari outfit.
She
wore a high tight vest of red silk, with four hooks; her midriff was bare;
she wore the sashed chalwar, a sashed, diaphanous trousered garment, full but
gathered in, closely, at the ankles; she was barefoot; her wrists and ankles
were bangled; she was veiled; she was collared.
Tribesmen of Gor, page 105
Clad Kajir
This is the term used to denote a slave who
is clad in the way of the Wagon Peoples, this clothing varies for the kajirae
and kajiri. For the female she wears a red cord called the Curla tied around
her waist which holds in place the Chatka, anarrow strip of black leather
that passes through her legs. The Kalmak which is a black leather vest and
the Koora, a strip of red cloth which holds her hair back. A kajiri must only
wear the Kes, which is a sleeveless black work tunic.
Among the Wagon Peoples, to be clad Kajir
means, for a girl, to wear four articles, two red two black; a red cord, the
Curla, is tied about the waist; the Chatka, or long , narrow strip of black
leather, fits over the cord in front, passes under, and then again, from the
inside, passes over the cord in back; the chatka is drawn tight; the Kalmak
is then donned; it is a short sleeveless vest of black leather; lastly the
koora, a strip of red cloth, matching the Curla, is wound about the head, to
hold the hair back, for slave women, among the Wagon Peoples, are not
permitted to braid, or otherwise dress their hair; it must be, save for the
koora, worn loose. for a male slave or Kajirus, of the Wagon Peoples, and
there are few, save for the work chains, to be clad Kajir means to wear the
Kes, a short, sleeveless work tunic of black leather. Nomads of Gor, page 30
Kes
A
short, sleeveless tunic of black leather "For a male slave, or Kajirus,
of the Wagon Peoples, and there are few, save for the work chains, to be clad
Kajir means to wear the Kes, a short, sleeveless work tunic of black
leather." Nomads of Gor, page 30
Kirtle
A
sleeveless dress of white wool which hangs down to the ankles, the neckline
is split down to the belly for better display. This is worn in the North
areas like Torvaldsland.
"I saw four small milk bosk grazing on
short grass. In the distance, above the acres, I could see mountains,
snowcapped. A flock of verr, herded by a maid with a stick, turned bleating
on the sloping hillside. She shaded her eyes. She was blond; she was
barefoot; she wore an ankle-length white kirtle of white wool, sleeveless,
split to her belly; about her neck I could see a dark ring." Marauders
of Gor, page 81
Red Hunter Slave Dress
"Before he had left, he had them sew
northern garments for themselves, under his instruction. From the furs and
hides among the spoils at the wall they had cut and sewn for themselves
stockings of lartskin and shirts of hide, and a light and heavy parka, each
hooded and rimmed with lart fur. Too, they had made the high fur boots of the
northern woman and the brief panties of fur, to which the boots, extending to
the crotch, reach. On the hide shirts and parkas he had made them sew a
looped design of stitching at the left shoulder, which represented binding
fiber. This designated the garments as those of beasts. A similar design
appeared on each of the other garments. About their throats now, too, they
wore again four looped strings, each differently knotted, by means of which a
red hunter might, upon inspection, determine that their owner was
Imnak." Beasts of Gor, page 176
Red Savage Slave Dress
"About her throat, narrow, sturdy and
closely fitting, was a steel collar. I stepped back that I might see her
better. She wore a short, fringed, beaded shirtdress. This came up high on
her thighs. It was split to her waist, revealing the sweetness and loveliness
of her breasts. It was belted upon her with a doubly looped, tightly knotted
rawhide string. Such a string is more than sufficient, in its length, and in
the strength and toughness, to tie a woman a number of ways. She was
barefoot. About her left ankle there was, about two inches high, a beaded
cuff, or anklet. Her garb was doubtless intended to suggest the distinctive,
humiliating and scandalously brief garment in which red savages are sometimes
pleased to place their white slaves." Savages of Gor, page 102
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Silks
Brief, sleeveless garments made of silk,
usually short. Worn only by slave girls, though not all slave girls wore
silks. The status of slave girls is often denoted by the color of her silks
(though she may not actually be wearing the silks). For example, a girl may
be wearing the silks of a Slaver (blue and yellow in color) or depending on
her experience, she is called 'white silk' or 'red silk'. The silk colors
(especially red and/or white are used as labels as well as actual colors of
their garments)
"I slipped on the bit of silk. I looked
in the mirror and shuddered. I had been naked before men, many times, but it
did not seem to me that I had been so naked as this. It was Gorean pleasure
silk. Not naked, I seemed more than naked." Captive of Gor, Pg. 322
"Slave Silk, and certainly that sort
which is commonly worn in page taverns and upon occasion in brothels, when
the girls are permitted clothing there, is generally diaphanous. It leaves
little doubt as to the beauty of the slave. Some girls claim they would
rather be naked, claiming that such silk makes them 'more naked then naked,'
but most girls, and I think, even those, too, who speak in such a way, are
grateful for even the wisp of gossamer shielding it provides against the
imperious appraisals of masters, even though it must be pulled away or
discarded instantly at a man's whim."
Dancer of Gor, Pg. 224
"There are a large number of ways in
which slave silk is worn. It can be worn, for example, on the shoulder or off
the shoulder, with high necklines or plunging necklines, in open or closed
garments, tightly or flowing, and in various lengths. Sometimes it is put on
the girl only in halters and G-strings, or mere G-strings. Sometimes it is
done, too, in strips wound about her body. The tying of slave girdles, with
such silk, and otherwise, to emphasize the girl's figure and make clear her
bondage, is an art in itself. Often, too, and as usually in paga taverns, it
is worn in brief tunics. Most of these are partable or wraparound tunics.
Such may be removed gracefuly. Some tunics, however, like some regular slave
tunics, have a disrobing loop, usually at the left shoulder, where it may
easily be reached by both a right-handed master and a right handed slave. A
tug on the disrobing loop drops the tunic to the girl's ankles, also
gracefully."
Dancer of Gor, Pg. 225
White:
denotes a virgin (though often the girl doesn't actually have to wear white
silks. If she is a virgin, she is said to be 'white silk')
"Are you white silk?' I asked.
'I am virgin,' she said.
'Then you are white silk.' I said."
Explorers of Gor, page 172
"She trembled. I kissed her upon the
lips. Her body, that of a white-silk girl, fresh to the collar, was terribly
frightened." Hunters of Gor, page 95
"To be sure,' I said, '"white"
in the context of "white-silk girl" lends less to suggest purity
and innocence to the Gorean than ignorance, naivety, and a lack of
experience. One expects a red-silk girl, for example, to not only be able to
find her way about the furs, but, subject to the whip, owned and dominated,
perhaps chained, to prove herself a sensuous treasure within them."
Savages of Gor, page 206
" The buyers were also informed that I
was 'glana' or virgin. The correlated term is 'metaglana' used to designate
the state to which the glana state looks forward, or that which it is
regarded as anticipating. Though the word was not used of me I was also
'profalarina' which term designates the state preceding, and anticipating
that of 'falarina' or the state Goreans seem to think of as that of being a
full woman, or, at least, as those of Earth might think of it, one who
certainly is no longer a virgin. In both terms, 'glana' and 'profalarina'
incidentally, it seems that the states they designate are regarded as
immature or transitory, state to be succeeded by more fully developed,
superior states, those of 'metaglana' or 'falarina.' Among slaves, not free
women, these things are sometimes spoken of along the lines as to whether or
not the girl has been 'opened' for the uses of men. Other common terms, used
generally of slaves, are 'white silk' and 'red silk' for girls who have not
yet been opened, or have been opened, for the uses of men,
respectively."
Dancer of Gor, page 128
Yellow:
worn by paga slaves..girls who serve paga in the taverns and can be bought
for the price of a cup of paga.
"I looked about myself. There were men
at the tables, the girls, in slave bells, and yellow silk, serving them. The
proprietor had now returned behind the counter, as was polishing paga
goblets." Hunters of Gor, page 55 "She came through the kitchen
door, in the tiny slip of diaphanous yellow silk alotted to paga slaves,
bells locked on her left ankle."
Hunters of Gor, page 56
"He nodded to the girl. To the music she
unhooked her slave halter of yellow silk and, as though contemptuously,
discarded it...."
Tribesmen of Gor, page 104
Red: a
slave who is not a virgin (though again, the girl doesn't actually have to
wear red silks all the time, if she is a slave who is not a virgin, she is
red silk)
"Similarly, the expression, 'red-silk,'
in Gorean, tends to be used as a category in slaving, and also, outside of
the slaving context, as an expression in vulgar discourse, indicating that
the woman is no longer a virgin, or, as the Goreans say, at least vulgarly of
slaves, that her body has been opened by men. Its contrasting term is
'white-silk,' usually used of slaves who are still virgins, or equivalently,
slaves whose bodies have not yet been opened by men. Needless to say, slaves
seldom spend a great deal of time in the 'white-silk' category. It is common
not to dally in initiating a slave into the realities of her condition."
Blood Brothers of Gor, page 472
Various:
The silks came in many styles and colors...striped, tunic-styles or
halters...dancing silks, etc etc...
"The other girls, the common slaves,
like Tendite, went with the price of a cup of paga."
Hunters of Go, page 55
I missed in the crowd, the presence of slave
girls, common in other cities, usually lovely girls clad only in the brief,
diagonally striped livery of Gor, a sleeveless, briefly skirted garment
terminating some inches above the knee, a garment that contrasts violently
with the heavy, cumbersome Robes of Concealment worn by free women."
Outlaw of Gor, page 66
"...on the shoulder or off the shoulder,
with high necklines or plunging necklines, in open or closed garments,
tightly or flowingly, and in various lengths...in halters and G-strings, or
mere G-strings...in strips wound about her body...in brief tunics...wraparound
tunics...or with a disrobing loop...at the left shoulder." Dancer of
Gor, page 225
"Low on her hips she wore, on a belt of
rolled cloth, yellow dancing silk, in Turian drape, the thighs were bare, the
front right corner of the skirt thrust behind her to the left, the back left
lower corner of the skirt thrust into the rolled belt at her right hip. She
was barefoot; there were golden bangles, many of them, on her ankles, more on
her left ankle. She wore a yellow-silk halter, hooked high, to accentuate the
line of her beauty. She wore a gold, locked collar, and, looped about her neck,
many light chains and pendants; on her wrists were many bracelets; on her
upper arms, both left and right, were armlets, tight, there being again more
on the left arm. She shook her head, her hair was loose."
Tribesmen of Gor, page 87
"From one side a slave girl, barefoot,
bangled, in sashed, diaphanous, trousered chalwar, gathered at the ankle, its
tight, red-silk vest, with bare midriff, fled to him, with the tall,
graceful, silvered pot containing the black wine. She was veiled. She knelt,
replenishing the drink. Beneath her veil, I saw the metal of her
collar." Tribesmen of Gor, page 88
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Sirik
A
'chain dress' of sorts...made of looping chains from the collar to wrist and
ankle rings. The chain is usually light and shiny. A chain system with a
collar from which flows a chain down to the slave's feet, off of this chain
are chains with terminations for the ankles and wrists of the slave.
Then, when I was absolutely naked, a golden
collar, to which a chain was attached, with wrist rings and ankle rings, was
brought. It was a chaining system of that sort called a sirik. My chin was
thrust up and I felt the golden collar locked about my throat. Almost as the
same time my wrists, held closely together before me, were locked helplessly
in the wrist rings. In another instant, my ankles, held, were helplessly in
the ankle rings. A chain then ran from my collar to the chain on my wrist
rings and from thence, the same chain, to the chain on my ankle rings. My
ankle rings chain was about twelve inches in length, and my wrist chain was
about six inches in length. The central chain, where it dangled down from the
wrist rings, lay on the floor before the throne, before it looped up to where
it was closed about the central link of the ankle ring chain.
Kajira of Gor, pages 185-186
"....both girls wore the Sirik, a light
chain favored for female slaves by many Gorean masters; it consists of a
Turian-type collar, a loose, rounded circle of steel, to which a light,
gleaming chain is attached; should the girl stand,the chain, dangling from
her collar, falls to the floor; it is about ten or twelve inches longer than
is required to reach from her collar to her ankles; to this chain,at the
natural fall of her wrists, is attached a pair of slave bracelets; at the end
of the chain there is attached another device, a set of linked ankle rings,
which,when closed about her ankles,lifts a portion of the slack chain from
the floor; the Sirik is an incredibly graceful thing and designed to enhance
the beauty of its wearer; perhaps it should only be added that the slave
bracelets and the ankle rings may be removed from the chain and used
separately; this also, of course, permits the Sirik to function as a slave
leash."
Nomads of Gor, page 42
"She lifted up some loops of chain;
there were linked ankle rings and linked wrist rings and a lock collar, all
connected by a length of gleaming chain running from the collar. It was
rather lovely...'Sirik,' said Eta.
Slave Girl of Gor, page 83
Slave Livery
The
most common of slave outfits, it is basically a very short dress, split down
the middle, held together with a cord. It rides high upon the thighs and
comes in a variety of patterns and materials.
She wore the briefly skirted, sleeveless
slave livery common in the northern cities of Gor; the livery was yellow and
split to the cord that served as her belt; about her throat she wore a
matching collar, yellow enameled over steel.Assassins of Gor, page 7
Taharian Slave Dress
"Following him was a woman, in a black
haik. Suddenly I was startled. As she passed me, her stride small and
measured, I head the clink of a light chain, the sound of ankle bells. She
was a slave....Beneath the haik, I supposed her collared, naked."
Tribesmen of Gor, page 45
"The haik, black, covers the woman from
head to toe. At the eyes, there is a tiny bit of black lace, through which
she may see. On her feet were soft, black, nonheeled slippers with curled
toes; they were decorated with a line of silver thread."
Tribesmen of Gor, page 44
Ta-Teera
Sometimes called the Gorean Slave Rag, it is
scandalously short and of brown cloth, fastened tightly about the body to
accentuate every curve of the slave which wears it. It is an utterly sensual
garment.
Eta pulled at the bit of rag she wore.
"Ta-Teera," she said. I looked down at the scrap of rag,
outrageously brief, so scandalous, so shameful, fit only for a slave girl,
which I wore. I smiled. I had been placed in a Ta-Teera.
Slave Girl of Gor, page 81"It was with
joy, later in the morning, that I felt, thrown against my body by my master,
a bit of brown cloth. It was a few threads, fit for a bond girl...Joyfully I
drew on the garment, slipping it over my head, and fastened it, more tightly
about me by the two tiny hooks on the left. The slit made the garment a
rather snug one, easier to slip into; the two hooks, when fastened, naturally
increased the snugness of the garment, drawing it quite closely about the
breasts and hips, deliciously then, from the point of view of a man, the
girl's figure is betrayed and accentuated; also the two hooks do not close
the slit on the left completely, but permit men to gaze upon the sweet slave
flesh pent, held captive within." Slave Girl of Gor, pages 75-76
"One of the most exciting slave
garments, if a slave is permitted clothing, is the Ta-Terra or, as it is
sometimes called, the slave rag. This is analogous to the tunic, but it is
little more, and intentionally so, than a rag or rags. In it the girl is in
no doubt as the whether or not she is a slave. Some cities don not wish girls
in Ta-Teeras to be seen publically on the streets. Some masters put their
girls in such garments only when they are camping, or in the wild. Others, of
course, may prescribe the Ta-Teera for their girls when they are within their
own compartments." Guardsmen of Gor, page 107
Eta pulled at the bit of rag she wore.
"Ta-Teera," she said. I looked down at the scrap of rag,
outrageously brief, so scandalous, so shameful, fit only for a slave girl,
which I wore. I smiled. I had been placed in a Ta-Teera." Slave Girl of
Gor, page 81
Thrall Tunic
A short work tunic of white wool that male
slaves of Torvaldsland, called thralls, are dressed in.
Men in the fields wore short tunics of white
wool; some carried hoes; their hair was close cropped; about their throats
had been hammered bands of black iron, with a welded ring attached.
Marauders of Gor, page 82
Tunic
The simplest form of dressing a slave, the
work tunics were generally brown, made of rep cloth. Both males and females
wore such garments.
"I wore a brief, one-piece brown work
tunic. It was all I wore, with the exception of the collar. We wore such
tunics when engaged as work slaves. The tunics of work slaves are usually
brown or gray." Slave Girl of Gor, page 265
It was a sleeveless tunic pullover of brown
rep cloth. It was generously notched on both sides at the hem, which
guarantees an additional baring of its occupants flanks." Magicians of
Gor, page 21
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